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The Pin
an object, an icon, a toy, a weapon
Polystyrene foam, polyurethane foam, wire, glue, acrylic paint

 



The Key
asserting power and control; the relief numbers refer
to manufactured measurements of time (365, 24/7, 60) 

Polyurethane foam, glue, acrylic paint
 



The Bell
a time-resonant index of divine presence;
a smartphone notification, danger

Polyurethane foam, glue, acrylic paint
 



The Brush
an artist on a break, Fantasia's brooms
Paper maché with grocery bags, chicken wire, expandable foam, polyurethane foam, fabric, acrylic paint, silicone

 



The River (Body of Water)
pollution, microplastics, the Mississippi, "Cancer Alley"
Soft plastics collected over a period of a few months, chicken wire

 



The Scissors
a metaphor, an icon, a memory
Mattress foam, glue, acrylic paint
 



The Worms
the game of life
Polyurethane foam, acrylic paint, silicone
 



The Tree
recycling, earth, nurture
Cardboard scraps, staples
 



The Bridge
a folk song from Epirus, fragmentation, longing
Plywood scraps
 



The Arrow
regressive speech, divine intervention, versatility
Polyurethane foam scraps, acrylic paint
 



The Chains
constraint, connection, isolation
Polyurethane foam scraps and tubes, glue, acrylic paint
 



The Coins
love and hate, currency in the digital age
Polyurethane foam scraps, acrylic paint
 

Entities: A Field of Imaginary Games

​First presented at Glassell Gallery, Baton Rouge, LA

Objects-symbols offered as interactive sculptures for free play. Entities are things that assume a greater or different role than their usual one; they become metaphors for emotional states, memories, and storytelling. 

​This dreamlike installation features large sculptures crafted from light and soft materials such as polyurethane foam, plastic waste, and paper. The choice of materials not only transforms waste to art but also imbues the Entities with a friendly, fluid, and even personified quality.


 

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